The odd and resonant Evolution is a beautiful and seductive slice of art-house horror. Written and directed by Lucile Hadžihalilović, the French-language film circles around its central mysteries without addressing them directly. Its elusive nature is one of its greatest strengths. Evolution left me wondering what the rest of the
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Ant Man and The Wasp is very much like its predecessor–a lightweight, likeable Marvel Universe flick that is still essentially a throw-away. It has the same cast as the first movie, the same tricks, and a little bit of story arc for an audience to invest in. Ant Man and
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They Remain is an unusual horror movie in that it is not actually horrific. Instead it is creepy, and quiet, and very, very weird. Considering it’s source material is Laird Barron’s short story “–30–”, I’d be disappointed if it weren’t. This is a slow, meandering movie that seems to
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Cargo begins with so much potential. A zombie plague. A family struggling to survive. The wilds of rural Australia. A top-notch cast to bring it to life. It packs a real emotional punch inside a small story. And then…it loses momentum and falls back on several common stereotypes and
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Solo: A Star Wars Story is polished and sleek, a fine demonstration of the well-oiled machine that is Disney. The cast is talented, the effects bright and shiny, the story exciting enough if a little too long. But I think Solo would have been so much better if it weren’t
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***A Few Spoilers Ahead*** Deadpool 2 is everything the first one was, and more. The violence is even more ridiculously over the top, the profanity so ramped up that even Colossus drops an f-bomb, and the emotional core of the story remains as believable as ever. I laughed. I cried.
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Hammer Films: An Exhaustive Filmography by Tom Johnson and Deborah Del Vecchio delivers what it promises. First published in 1996, this compendium details every film put out by Hammer studios–165 full length films over forty three years, as well as shorts and television shows. While there are a slew
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Let’s face it: Avengers: Infinity War does not need a review. It’s been out for over a week, the fans (and the box office numbers) have spoken, and anyone who has yet to see this juggernaut should already have a pretty good idea of what to expect. So instead I
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Under the Shadow, an Iranian horror film released quietly in the U.S. in 2016, is low-key, creepy, and tantalizingly unresolved. Set in 1980’s Tehran during the Iran-Iraq war, writer-director Babak Anvari’s story of an evil djinn’s grip on a family works largely through the power of suggestion, with a few
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Isle of Dogs is in so many ways a quintessential Wes Anderson movie. It is beautifully filmed, the characters–even though they are dogs–are believably quirky yet still slightly exaggerated, and playful, dreamlike storytelling mingles seamlessly with blunt and ugly truths. And yet despite all the charm and genuine sentiment Anderson
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